(PICTURE: Tom Ivy on a filming site survey at the Knesset, the Israeli Parliament, in Jerusalem, Israel)

Why Am I Blogging?

WHY AM I BLOGGING?

I'd much prefer to be standing beside a camera calling "Action" or in the director's booth of a giant arena, watching the stage manager call the cues to a big show I've designed... But when I'm NOT doing those things, I'm sometimes privileged to be asked to share some of what I know -- and what I'm still learning -- about this craft, about working with people in the entertainment business, and, more fundamentally about life in general... It's full of surprises, some of them delightful, some of them devastating, all of them capable of making me a better professional, a better friend, a better husband and father. So from time to time I'll share some of these 'lessons from life' with the particular slant of a guy who loves what he does and has learned some lessons (too many of them the hard way) about writing, producing, directing, and about this often-confusing journey called life. I welcome your comments and viewpoints in this conversation...

Tom Ivy

Saturday, October 15, 2011

"Oh, THAT Letter!"


I was excited.  I was about to become a graduate student in the famous School of Cinema at the University of Southern California, the school where George Lucas of 'Star Wars' fame had already made his mark.  I had already been accepted by the University.  All that remained was the confirmation letter from the Cinema School (a separate admissions process after the University’s acceptance.)   One day in November it finally came.  It was NOT the letter I was expecting.  It was from the Dean of Admissions and it began, “We regret to inform you…” and ended with “We hope you will be able to pursue your advanced studies at another institution.”  I was devastated!

I had interviewed with key faculty members and administrators.  I had shown the admissions committee clips of my work.  I had met numerous times with Dr. Russell McGregor, Associate Chairman of the Division of Cinema.  Everything had seemed positive for my acceptance.  And now this! 

After brooding over my disappointment, I determined to find out why, this far into the process, and after so much encouragement, I should be so flatly rejected.  Maybe there was something I could still do to change their mind.  I had to at least try!  I picked up the phone and called Dr. McGregor’s office, scheduled an appointment for 2 pm the next day.  (I have no idea why I still remember the time of that meeting this many years later!

The next afternoon I drove my little red Volvo down to University Park.  In those days, the Cinema school was still housed in what had once been the USC faculty stables and carriage barns.  The administrators occupied nearby bungalows (all pre Lucas and Zemeckis Buildings for you USC alum).   As soon as I walked in the door,  Russ (Dr. McGregor) looked up from his desk and smiled warmly.  “Tom, how’s it going?” he asked as he extended his hand.  “It was going great,” I replied,  “until I got this letter” .   “What letter?” he asked.   I handed him the notice I had received.  He looked it over, handed it back, and then said just three words, “Oh!  THAT letter!”   “What do you mean THAT letter?” I asked.  “We send that letter to everyone,” he calmly replied.  As I looked at him dumbfounded, he explained, “The motion picture and television industry is extremely competitive.  The Cinema school at USC is one of the most competitive and difficult programs at the University.  We concluded that only those who are not willing to take ‘no’ for an answer have what it takes to survive in this industry or even make it through this program.  So, we send a rejection letter to everyone and wait to see who shows up.  Obviously you have that kind of determination, Tom.”   He concluded, “Don’t worry about the letter.  I’ll note your file.  We’ll see you next semester.”  A few weeks later I started my master’s program in Cinema at USC.

What I learned at USC over the next two years would have a formative impact on my skills as a writer / director.  The friendships made and the principles learned were invaluable.  But what if I had not questioned that letter?   What if I had not pursued my dream in the face of clear rejection?   How would my future have been altered?   The lesson I learned from that letter and my response, may have actually been the greatest lesson learned from all of my University experience.   

That letter from USC was not the last time I would face rejection of an idea or a dream or a vision.  I would have many opportunities to decide whether to accept ‘No’ as a conclusion or rather as a challenge to be tackled.   Sometimes (I’ve learned)  to accept a ‘no’ really IS the right choice, all things and everyone involved being considered.  Equally important, there have been other times when I have turned a ‘no’ into a challenge to find another way to pursue the dream in my heart and to achieve the goal that I knew was right.  And often, in those times, I have been reminded of  that letter from so long ago and dean McGregor's three words “Oh, THAT letter!”  The rest is history. 

  
Footnote:  The policy at USC apparently changed in the years since I was there.   When my son David  was accepted to the USC School of Cinema, he never received such a letter.  He went on to graduate with honors.